What Happened This Week in Music
Photo Courtesy of Ozzy Osbourne Wiki
Viral Moments and New Creative Directions
The week leading up to July 24, 2025 delivered a series of stories that resonate far beyond headlines. From the passing of a heavy‑metal icon to critical business lessons, safety crises, viral moments and new creative directions, these events illustrate how intertwined music is with culture, commerce and ethics. For musicians and producers, understanding these developments can inform strategy, inspire creativity and underscore the responsibilities that come with influence.
1. Farewell to Ozzy Osbourne
Ozzy Osbourne died on July 22 at age 76 after a long battle with Parkinson’s disease and other health issues. As the frontman of Black Sabbath and a solo artist, Osbourne helped define heavy metal through his theatrical vocals, macabre lyricism and willingness to push sonic boundaries. His final performance, earlier this month in Birmingham, served as a poignant reminder that musical legacies are built on risk‑taking and authenticity. For emerging artists, his career exemplifies the power of a distinct artistic voice and the longevity that comes from cultivating a dedicated fanbase.
2. Joe Budden’s Podcast Empire
Rapper‑turned‑podcaster Joe Budden’s podcast network now generates about US$1.04 million per month from roughly 70 000 Patreon subscribers, with revenues expected to surpass US$20 million this year. Budden’s success underscores the viability of direct‑to‑consumer models: by owning his content and selling his own ads, he controls both revenue streams and creative direction. For producers and songwriters, this is a blueprint for monetizing expertise beyond traditional music releases—leveraging personality and insight to build a community willing to pay for premium content.
3. Venue Safety in the Spotlight
Ibiza Rocks Hotel cancelled all remaining events after four balcony-related deaths this year, halting shows featuring major acts. The decision highlights the critical role venues play in ensuring patron safety. From a business perspective, incidents like this can have long‑term reputational impacts and financial consequences. Creatives who perform or promote events should prioritize understanding venue safety protocols and advocate for measures that protect audiences; trust and wellbeing are foundational to sustainable live music experiences.
4. Coldplay’s Kiss‑Cam Goes Viral
During a Gillette Stadium show, Coldplay’s kiss‑cam captured a married CEO kissing his company’s HR director, and the clip exploded across social media. While many viewed it as a humorous moment, it also underscores the blurred boundaries between entertainment and personal privacy in the smartphone era. For performers, interactive segments like kiss‑cams can enhance audience engagement but also carry ethical considerations; balancing novelty with respect for attendees’ privacy is crucial.
5. Legal Drama for Jane’s Addiction
Perry Farrell’s duelling lawsuits with his former Jane’s Addiction bandmates reveal how creative collaborations can fracture when personal and professional lines blur. Farrell claims he was harassed onstage and that his wife was assaulted; his former bandmates accuse him of assault and contract breaches. Beyond the sensationalism, the dispute is a cautionary tale: successful partnerships require clear agreements, conflict-resolution mechanisms and mutual respect. Without them, artistic synergy can quickly devolve into legal battles that sap energy and resources.
6. Messages of Positivity
At Open’er Festival, Little Simz told fans she wrote her song “Free” to spread love and light, sharing gratitude for their support. Her transparency about seeking positivity highlights how artists can foster community through vulnerability. Likewise, Alex G reflected on releasing his first major‑label album Headlights, discussing the tension between perfectionism and authenticity. For creatives, these testimonies illustrate that artistic growth often entails confronting self‑doubt, embracing imperfection and using one’s platform to uplift listeners.
7. New Music & Releases to Anticipate
Skullcrusher – And Your Song Is Like a Circle: Out October 17, Helen Ballentine’s second album sees her voice functioning as an instrument in itself. The single “Exhale” captures the moment a song emerges—an invitation to creatives to trust instinctual first ideas and surrender to change rather than over‑editing.
Whitney – Small Talk: Due November 7, the Chicago duo’s first album since 2022 is self‑recorded with friends. The single “Dandelions” uses imagery of failed relationships and cross‑country moves to reflect transitions—illustrating how personal upheaval can fuel universal songwriting.
Bright Eyes – “1st World Blues”: With ska‑infused rhythms and pointed lyrics critiquing Reaganomics, the song uses upbeat sounds to deliver heavy political messages. It suggests that blending celebratory genres with commentary can broaden a song’s impact.
Jamie xx – “Dream Night”: Written while touring, the track channels the “wild and beautiful nights” of performing. For producers, it exemplifies how environment and travel can spark ideas and how capturing the mood of a moment can translate into immersive club experiences.
Tony Hawk’s Game Soundtrack: Responding to backlash over the new Pro Skater 3 + 4 soundtrack, Hawk explained that he curated tracks he loves to encourage discovery while balancing nostalgia. The controversy underscores how deeply audiences connect to soundtracks and how re‑imagining legacy projects demands a careful mix of homage and innovation.
8. Accountability and Rehabilitation
Sean “Diddy” Combs has entered prison programs addressing domestic violence and drug abuse ahead of his October sentencing. Beyond the headlines, his decision highlights the increasing expectation that public figures engage in rehabilitation. For creatives, it signals that accountability and proactive personal growth are integral to sustaining careers amid scrutiny; genuine contrition can influence both sentencing outcomes and public perception.
Why These Stories Matter
Collectively, this week’s news underscores that the music industry is not isolated from broader societal currents. Osbourne’s passing reminds us that artistic legacies endure when they resonate authentically over decades. Joe Budden’s podcast success demonstrates how creators can thrive by owning their channels and cultivating devoted communities. The Ibiza Rocks tragedy and Coldplay’s kiss‑cam incident illustrate the ethical responsibilities of event organizers and performers. Legal conflicts within Jane’s Addiction reveal the necessity of clear business frameworks. Meanwhile, Little Simz and Alex G exemplify how vulnerability and positivity can build deep listener connections. New releases from Skullcrusher, Whitney, Bright Eyes and Jamie xx point to evolving creative directions, while Tony Hawk’s soundtrack controversy reflects how nostalgia and innovation must be balanced. Finally, Diddy’s rehabilitation efforts show that accountability is becoming a non‑negotiable aspect of sustaining a public career.
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References
Skullcrusher Announces New Album ‘And Your Song Is Like A Circle’ – Hear ‘Exhale’
Whitney Makes ‘Small Talk’ With New Album & Shares Breezy ‘Dandelions’ Single
Bright Eyes Go Ska on New Song ‘1st World Blues’: Stream
Jamie xx Shares Bittersweet Single ‘Dream Night’
Tony Hawk Responds to Backlash Over ‘Pro Skater 3 + 4’ Soundtrack